Inspector Mario Conde is back in a sweeping novel of art theft, anti-semitism and family tragedy. From Cuba during WWII to 17th Century Amsterdam and back to Havana today.
In 1939, the Saint Louis sails from Hamburg into Havana’s port with hundreds of Jewish refugees seeking asylum from the Nazi regime. From the docks, nine-year-old Daniel Kaminsky watches as the passengers, including his parents, become embroiled in a fiasco of Cuban corruption. But the Kaminskys have a treasure that they hope will save them: a Rembrandt portrait of Christ. Yet six days later the vessel is forced to leave the harbour with the family, bound for the horrors of Europe. The Kaminskys, along with their priceless heirloom, disappear.
Nearly seven decades later, the Rembrandt reappears in an auction house in London, prompting Daniel’s son to travel to Cuba to track down the story of the lost masterpiece. He hires Mario Conde, and together they navigate a web of deception and violence in the morally complex city of Havana.
In Heretics, Leonardo Padura takes us from the tenements and beaches of Cuba to Rembrandt’s gloomy studio in seventeenth-century Amsterdam, telling the story of people forced to choose between the tenets of their faith and the realities of the world, between their personal desires and the demands of their times. A grand detective story and a moving historical drama, Padura’s novel is as compelling, mysterious, and enduring as the painting at its centre.
Translated from the Spanish by Anna Kushner
2017, Bitter Lemon Press
Leonardo Padura was born in 1955 in Havana and lives in Cuba. He has just released THE MAN WHO LOVED DOGS, his masterpiece about the assassination of Trotsky. Padura has published a number of short-story collections and literary essays but international fame came with the Havana Quartet, all featuring Inspector Mario Conde.
Like many others of his generation, Padura had faced the question of leaving Cuba, particularly in the late 80s and early 90s, when living conditions deteriorated sharply as Russian aid evaporated. He chose to stay. And to write beautiful ironic novels in which Soviet-style socialism is condemned by implication through scenes of Havana life where even the police are savagely policed.
The crime novels feed on the noises and smells of Havana, on the ability of its inhabitants to keep joking, to make love and music, to drink rum, and to survive through petty crime such as running clandestine bars and restaurants.
Anna Kushner was born in Philadelphia and has translated the novels of Guillermo Rosales, Norberto Fuentes, and Gonçalo M. Tavares.