Welcome to #WITMONTH 2025

Welcome, WITty readers! I am Rebecca, and I am very happy to be joining GLLI as a guest curator this August.

A bit about me: I have been a public librarian for 12 years. For the past six years, I have served as the Literature & Language Librarian at Portland Public Library in Portland, Maine, USA. Collection development is one of my largest (and favorite) tasks. Most importantly to this series, I am in charge of building and maintaining the library’s English language fiction collection for adults, as well as our adult world language collection. 

I view collection development as a fun puzzle. We work within the constraints of a budget that is never enough for everything we want to buy. It can be hard to justify purchasing lesser-known translated fiction while popular authors churn out a new book every month. This month, I will offer some suggestions for authors, titles, and niche genres that show popularity and promise for those looking to slowly grow their collections of women in translation.

Cover of The Complete Review Guide to Contemporary World Fiction, by M.A. Orthoffer. Cover is a red book with international flags between the pages.

I keep up with world language fiction using some key resources. Publishers’ Weekly reviews a handful of works in translation in every issue. I also keep The Complete Review Guide to Contemporary World Fiction by M.A. Orthoffer on hand. It’s an excellent introduction to key authors from each continent. I maintain a list of worldwide literary prizes to help inform my purchasing decisions; the International Booker Prize is an excellent place to start. Finally, I am also lucky to live in a state with a subscription to the database NoveList, which offers a search limiter for the author’s nationality.

Before diving in, I have a disclaimer: I am terrible at acquiring new languages, so I am only reading works translated into English. This means I cannot comment on how the translation interacts with the original text. I hope my perspective and knowledge concerning the management of  a diverse fiction collection is helpful to other library workers in a similar position. 

I’m looking forward to sharing more in the coming weeks! 

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