The novel is set in a town on the industrial outskirts of Bilbao during the 1980s, marked by heroin, unemployment and industrial decline, where the police fight running street battles with local youths, and the walls are covered with threatening slogans. Its narrator, Amaia, is a young child at the start, and progresses through adolescence to adulthood as the action unfolds. The youngest of four siblings, she describes the gradual destruction of her family by the violence that surrounds them.
Amaia’s father begins the novel as a supporter of Basque independence (and perhaps a petty criminal as well) but when, under duress, he is ‘turned’ by the Spanish security forces, the effects on the family’s life are devastating. Humiliated by his handlers and rejected by his former comrades, Amaia’s father turns his violence inwards on his family before abandoning them, forcing them to rely on the grudging support offered by Amaia’s maternal grandmother.
Amaia’s mother retreats into alcoholism and remains dependent on her abusive and absent husband. And each of Amaia’s brothers seeks a different way out: the eldest becomes a drug addict and dies of an overdose; the next leaves for university in Madrid and cuts his ties with home; the youngest throws himself into political violence and ends up in prison. Caught in the middle is Amaia, who has to go through adolescence with little or no support from those around her, and yet is somehow expected to maintain the fragile ties between the members of this dysfunctional family.
The final section of the book takes place in 2009, by which time Amaia is an adult and is trying to make sense of her life and how it has been shaped by violence and conflict. After an absence of 17 years, she returns to her home town and seeks to make peace with her past by understanding and writing about what she been through.
Edurne Portela (b. Spain, 1974) has written extensively about the impact of violence and trauma on women’s lives. After a successful academic career in the United States, she returned to Spain to pursue a career as a writer. In 2016 she published El eco de los disparos (The echo of gunfire), an exploration of the culture and memory of violence in the Basque Country. Mejor la ausencia is her first novel.
Mejor la ausencia
Published with permission from Tim Gutteridge. For a sample translation and review coverage, please visit his website.